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«Hackers and Painters: Big Ideas from the Computer Age»

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"The computer world is like an intellectual Wild West, in which you can shoot anyone you wish with your ideas, if you're willing to risk the consequences. " —from Hackers & Painters: Big Ideas from the Computer Age, by Paul Graham We are living in the computer age, in a world increasingly designed and engineered by computer programmers and software designers, by people who call themselves hackers. Who are these people, what motivates them, and why should you care? Consider these facts: Everything around us is turning into computers. Your typewriter is gone, replaced by a computer. Your phone has turned into a computer. So has your camera. Soon your TV will. Your car was not only designed on computers, but has more processing power in it than a room-sized mainframe did in 1970. Letters, encyclopedias, newspapers, and even your local store are being replaced by the Internet. Hackers & Painters: Big Ideas from the Computer Age, by Paul Graham, explains this world and the motivations of the people who occupy it. In clear, thoughtful prose that draws on illuminating historical examples, Graham takes readers on an unflinching exploration into what he calls "an intellectual Wild West." The ideas discussed in this book will have a powerful and lasting impact on how we think, how we work, how we develop technology, and how we live. Topics include the importance of beauty in software design, how to make wealth, heresy and free speech, the programming language renaissance, the open-source movement, digital design, Internet startups, and more. And here's a taste of what you'll find in Hackers & Painters: "In most fields the great work is done early on. The paintings made between 1430 and 1500 are still unsurpassed. Shakespeare appeared just as professional theater was being born, and pushed the medium so far that every playwright since has had to live in his shadow. Albrecht Durer did the same thing with engraving, and Jane Austen with the novel. Over and...



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Hackers and Painters: Big Ideas from the Computer Age Acknowledgments

First on the list of people I have to thank is Sarah Harlin. After writing an essay I usually showed it to her first. And she usually crossed out half of it and told me to rewrite the rest. She has a perfect ear for prose rhythm, and barks at superfluous words like a dog after a squirrel.

If these essays are any good it's because most grew out of conversations with her or with Robert Morris, Trevor Blackwell, or Jackie McDonough. I'm lucky to know them.

The book benefits from the ideas of several other friends with whom I've talked about these questions over the past several years: Ken Anderson, Chip Coldwell, Matthias Felleisen, Dan Friedman, Daniel Giffin, Shiro Kawai, Lisa Randall, Eric Raymond, Olin Shivers, Bob van der Zwaan, and David Weinberger. Eric Raymond I owe special thanks not just for his ideas but for his example in writing about hacking.

I owe thanks to many others for help and ideas, including Jülide Aker, Chris Anderson, Jonathan Bachrach, Ingrid Bassett, Jeff Bates, Alan Bawden, Andrew Cohen, Cindy Cohn, Kate Courteau, Maria Daniels, Rich Draves, Jon Erickson, John Foderaro, Bob Frankston, Erann Gat, Phil Greenspun, Ann Gregg, AmyHarmon, AndyHertzfeld, Jeremy Hylton, Brad Karp, Shriram Krishnamurthi, Fritz Kunze, Joel Lehrer, Henry Leitner, Larry Lessig, Simon London, John McCarthy, Doug McIlroy, Rob Malda, Julie Mallozzi, Matz, Larry Mihalko, Mark Nitzberg, North Shore United, Peter Norvig, the Parmets, Sesha Pratap, Joel Rainey, Jonathan Rees, Guido van Rossum, Barry Shein, the Sloos,Mike Smith, Ryan Stanley, Guy Steele, Sam Steingold, Anton van Straaten, Greg Sullivan, Brad Templeton, Dave Touretzky, Mike Vanier, the Weickers, JonL White, Stephen Wolfram, and Bill Yerazunis.

This book looks good because the design was really done by typography god Gino Lee, not me. I know enough about book design to do whatever Gino says. Chip Coldwell spent hours beating on fonts and Amy Hendrickson days writing LaTex macros to achieve the appearance of ease you see here. The cover, curiously, was in a sense designed by Robert Morris, who fired up the Gimp and did some surgery on the previous version. Thanks to Gilberte Houbart for her ingenuity and persistence in extracting images from sources all over the world.

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